great being

julia west

email me via gmail: juliamae

Aftermath of Obliteration of Eternity (2009), a mesmerizing “infinity room” that operates on a system of simple yet ingenious optical devices. In a dark void, a delicate, shimmering mirage unfolds around the viewer, a myriad of gleaming lights that reproduce and reflect endlessly upon each other in golden silence. Titles of recent figurative paintings, in which worms, eyes, and other more indeterminate biomorphic forms abound, reflect a preoccupation with mortality, as well as with enlightenment, solitude, nothingness, and the mysteries of the physical and metaphysical universe.
through 27 june, let’s go. (thx, jon)

Aftermath of Obliteration of Eternity (2009), a mesmerizing “infinity room” that operates on a system of simple yet ingenious optical devices. In a dark void, a delicate, shimmering mirage unfolds around the viewer, a myriad of gleaming lights that reproduce and reflect endlessly upon each other in golden silence. Titles of recent figurative paintings, in which worms, eyes, and other more indeterminate biomorphic forms abound, reflect a preoccupation with mortality, as well as with enlightenment, solitude, nothingness, and the mysteries of the physical and metaphysical universe.

through 27 june, let’s go. (thx, jon)

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    Eternity, Yayoi Kusama. 2009. Gagosian Gallery: A
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    I’ve finally RTFA, I know...NYC. Yes, I would love to go. I’m
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